![]() The leading graphic artist in this field was Khayim Goldberg (1890–1943), who staged holiday tableaux using amateur actors dressed in traditional garb, and added explanatory captions with rhyming verses in Yiddish. Some rare black-and-white photographic postcards are often the only extant images of an event, location, or destroyed synagogue.Ĭolorful postcards chiefly created to be greeting cards for Rosh Hashanah were the driving force behind the development of Jewish artistic postal cards in general. During wartime, scenes of battle and pogroms showing Jewish victims were sometimes accompanied by a direct appeal for help on the back of the card. Others displayed Zionist leaders, the new Zionist symbols, and romantic views of Palestine. Photographs showed children, typical Jewish professions and people at work, and portraits of Jewish writers and personalities. Many cards depicted shtetl scenes and Jewish streets, synagogues, and cemeteries. There was also an emphasis on nostalgic views of the past and Jewish holidays and ceremonies. Whereas in Germany biblical themes were popular, in Eastern Europe, Jewish postcards generally featured scenes of present-day life. Images included photographs and art by non-Jewish artists, as well as caricatures and antisemitic scenes and types. Non-Jewish Polish firms, the most notable of which was Salon Malarzy Polskich of Kraków, issued postcards on Jewish themes. ![]() Jewish postcard producers in Poland were concentrated chiefly in Warsaw, and included firms such as Jehudia (owned by the newspaper Haynt), Alt-naj-land, Omanut, Verlag Synaj (Sinai), Verlag Central, Libanon, S. Rosh Hashanah greeting postcard depicting blessing of the new moon at the end of Yom Kippur-the blessing of the new moon (Kidush Levanah) is customarily recited the end of the Sabbath in the months of Av and Tishre it is recited after the fasts of Tishah b’Av and Yom Kippur.
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